Now lava lamps. I swear after all these late-night adventures involving papers and other assignments at school, I have tons of observations of my lava lamp to write about. I have an old lava lamp sitting on the dresser next to my desk and I turn it on (along with two lamps and a string of these "flower lights") whenever I am in my room for prolonged periods of time. I hate having the main roof light on because they're old incandescent bulbs and they bathe everything in this nasty orange light. With the other lights I at least have a little bit of atmosphere and ambiance. I can't actually focus of write without proper lighting. I also can't function properly if there are people outside my door. If I can hear them, it bothers me and all work comes to a halt no matter how much I'm invested in it. I also only write to certain types of music. Classical, symphonic metal, alternative, movie soundtrack and other upbeat and exciting tunes are easiest to write to. I have two compilations, both over thirty minutes long that have saved me countless times in the past writing. Silence helps sometimes, but only what I have to focus every ounce of my energy and attention on something. Otherwise, music gives me a certain rhythm to my work that I don't get otherwise. I can't work to most songs with lyrics, death metal, power metal, rap, or catchy songs (mostly because I start singing along). Lastly I usually need something to drink (preferably a caffeinated tea) and a small snack (like chips of chocolate or microwave popcorn). I don't end up eating or drinking a lot, but it's good to have it there.
In terms of my distraction and overall lack of an ability to focus, I have determined the cycles of my lava lamp. The first stage involves the heating of a cold, boring wax. The heating mechanism at the bottom (which turns out to be just a coil of metal that heats up because of the light and thus heats the wax) makes the base of the wax glow ominously, giving off limited light. The wax heats on the bottom faster than on the top obviously, so at a certain point the hot, warm wax begins to rise, applying pressure to the cooler wax above. At the proper ratio of heat distribution, the cooler wax will shift and the warm wax will release into what I call "lava lamp puke". The lava lamp literally looks like it is spewing out its innards and strings of wax shoot upwards into intricate designs and structures. Eventually bits of wax will lower and fall down, but for the time being this structure remains. This gives the wax below time to begin heating. Once the bottom has begun to heat, the structure crumbles and collapses and begins to reheat with the rest of the wax at the bottom. At this point the lava lamp enters its most functional stage. The wax rises and falls at regular intervals in smaller balls, creating the image of what most people picture when they think of lava lamps. Over time the wax heats hotter and hotter and the wax begins to stick to the top where the surface of the liquid is. At this point the wax forms into larger balls. Most of the time, a large ball begins to float, rotating near the bottom as hot liquid rises on the one side. This is the planetary stage, due to it's resemblance to planetary rotation (with the bottom being a make-shift "sun"). This rotation is increased with the release of wax bubbles (which look similar to yellow snot). These bubbles have little wax content and occur when air becomes trapped in the lava lamp (which is much the case with mine for it is old and some of the water content has evaporated). Gradually the mass at the top consumes the smaller globs of wax until eventually it devours 95% of the wax. I have dubbed this final stage of lava lamp development the "Lavapocalypse". Occationally the mass will cool enough for the globular beast to fall back towards the heat source, but the heat of the wax will reunite it with the mass at the top. At this point the lava lamp has reached the point of not functioning. To return the lamp to its natural state requires cooling. The entire processes takes about five to six hours.
I fixed a giant plot hole in chapter 8 that I discovered much to my dismay on the train two days ago while listening to some music and gazing out the window trying to ignore how cold it was and the awkward smell radiating off of the person next to me. It wasn't a BO smell, it was more like some sort of spice mixed with apple juice and wet, mouldy fabric. At any rate, I have fixed it and improved upon the dialogue at one of the most pivotal points in the narrative. I also made the situation a lot more dire and tense for one of my characters. Poor Myra.
I began imagining more of the ending as well. I hope this will be as fun to write as it is to think up. I want to be able to put the care and devotion I have for WMRR and put it into other writing projects of mine, including a novella I have in the works for my Fiction Writing II class. I want to be able to get better marks and improve in areas I am lacking. I am super jealous of one of my classmates for getting A's on all aspects of his story and the recommendation to submit. I'm also super proud of him for doing so well. His story was the only one that has actually made me cry in this class. Considering what we write about (with so much sex, violence and emotion), that's quite the accomplishment. Good on you sir. Hat's off to you.
I suppose I should return to writing about Henry VIII, Edward VI and the Protestant Reformation in England now. I managed 1000 words in 15minutes in this post alone. Why the hell can't I do that with a paper? I'd literally be done in 45mins. FML.
Wednesday, November 24, 2010
First String Cheese...
Labels:
chapter 8,
fiction II,
fiction writing II,
lava lamp,
papers,
plot hole,
transit,
university
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment